About ; Cast ; Performances; Gallery; Audio clips; About the work; About. Capriccio is sometimes described as a "conversation piece," since the plot revolves around a discussion of the nature of opera and the shifting primacy between text and music. The opera explores that question in an allegorical tale: the Countess (Fleming), is torn between two suitors, the poet Olivier (Russell Braun) and the composer Flamand (Joseph Kaiser). I consider … Capriccio. Flamand declares his love for the Countess and poses the question – which does she prefer, poetry or music? Flamand sings them his new composition, accompanying himself on the harpsichord. Richard Strauss Capriccio opera to a libretto by Clemens Krauss and Richard Strauss. She consults her image in the mirror, asking "Is there any ending that isn't trivial?" After an 8 year absence of Richard Strauss, this new production of Capriccio is also the premiere at the Teatro Real of the Bavarian composer’s last opera.The staging is by celebrated Christof Loy and the musical direction is by an expert in Strauss, Asher Fisch. The Countess admits that she cannot decide which of her suitors she prefers. Synopsis and libretto in English from Pacific Opera, Victoria, B.C. Er tut mir leid! Out of this dry subject … by Stephen Walsh Saturday, 05 June 2010. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music".The opera received its premiere performance at the Nationaltheater München on 28 October 1942. Number of Acts. Capriccio was Richard Strauss’ last operatic venture, and, like the David Ewen offered the following précis of Capriccio: “The almost actionless libretto [set in a. , English, Book, Illustrated edition: Capriccio: opera guide and libretto / Richard Strauss ; [libretto by … Her guests include a poet, composer, actress, dancer and director, who banter on the respective merits of the arts. This was a topic of discussion at the time of the setting, as in an opera named for the issue, Prima la musica e poi le parole (First the Music and Then the Words) (Salieri, 1786). Which is greater among the arts, poetry or music? The opera was written at the suggestion of Gustav Mahler between 1903 and 1906. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music".The opera received its premiere performance at the Nationaltheater München on 28 October 1942. Casting Notes. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music".The opera received its premiere performance at the Nationaltheater München on 28 October 1942. Login. However, at Hamburg in 1957, Rudolf Hartmann [de], who had directed the opera at its premiere in Munich, inserted an interval at the point when the Countess orders chocolate, and other directors have often followed suit, including performances at Glyndebourne Festival Opera. The development of the intrigue is based entirely on conversation: this seemingly light-hearted badinage is very 18 th century. La Roche describes his planned two-part birthday entertainment for the Countess, the "Birth of Pallas Athene" followed by the "Fall of Carthage". : With Clemens Krauss, Strauss wrote a libretto without a story, to such an extent that Capriccio makes me think of a film scenario or filmed theatre: I don’t know many operas in which the plot unfolds in a huis clos and almost entirely in real time. Olivier tells the Countess that he means the sonnet for her. Capriccio, however, is anything but dry discourse about the dominance of language or music in opera. Language : German. Olivier feels that Flamand has ruined his poem, while the Countess marvels at the magic synthesis of words and music. Personal offers for this show. Capriccio is about writing an opera. Capriccio, Grange Park Opera Lively staging, stylish singing and a welcome intrusion of wartime reality. Now she performs the entire work, in which the composer explores the essence of opera itself. Capriccio full plot summary including detailed synopsis and summaries for each scene. Capriccio, Op. Capriccio, Op. The Count and Clairon leave for Paris with the theatre company. The Metropolitan Opera Production Live in HD, April 23, 2011 Andrew Davis, Conductor John Cox, Producer Mauro Pagano, Set Designer Renée Fleming, The Countess Madeleine Morten Frank Larsen, The Count Sarah Connolly, Clarion Joseph Kaiser, Flamand 0. Synopsis: Capriccio. Libretto by Clemens Krauss and the composer. Opera. The opera received its premiere performance at the Nationaltheater München on 28 October 1942. Sung in German. Learn more about on demand. The Major-Domo discovers the prompter, Monsieur Taupe, who has fallen asleep and has been left behind. Clemens Krauss og Strauss selv skrev den tyske libretto med udgangspunkt i Stefan Zweigs arbejde og senere Joseph Gregors arbejde på værket. Capriccio. To include a comma in your tag, surround the tag with double quotes. Capriccio is only available with a Met Opera on Demand subscription or rental. Capriccio Capriccio (in German) Opera in two acts by Richard Strauss San Francisco Opera gratefully acknowledges a generous grant from William and Eloise Rollnick supporting this production of "Capriccio." Decca: 478 6499 (set); 478 6500--478 6501 (disc labels). At the Countess Madeleine's château, a rehearsal of Flamand's newly composed sextet is in progress. The theme of the opera can be summarized as “Which is the greater art, poetry or music? They leave to join La Roche at the rehearsal. Capriccio is a costume drama about staginess and artistic effect. Strauss. Share on Facebook; Share on Twitter; Share Renée Fleming is Countess Madeleine, the beautiful, enigmatic woman at the center of Strauss’s sophisticated “Conversation … This question is dramatized in the story of a Countess torn between two suitors: Olivier, a poet, and Flamand, a composer. They are both in love with the Countess, and argue the relative merits of music and words. The Count, Countess, Flamand, Olivier, Clairon and La Roche reflect on the respective merits of dance, music and poetry. Start Free 7-Day Trial Rent for $4.99 Already a Met Opera on Demand subscriber? from Richard Strauss. L.V. Even if the world were to fall … She is being courted by two men: Joseph Kaiser sings the composer, Flamand, and Russell Braun is Olivier, the poet. They engage in a rather furious argument which is semi-spoken rather than sung in definable arias. As evening falls, the Countess returns, having dressed for supper, and learns from the Major-Domo that her brother has gone to Paris with Clairon, leaving her to dine alone. The Cast CAPRICCIO, opera in one act, in concert form; music by Richard Strauss; libretto by Clemens Krauss and the composer; Orchestra of St. … However, … With moonlight streaming in through the windows, the Countess learns that Olivier as well as Flamand will meet her in the library to learn how the opera is to end. Capriccio, Op. Rather, it is an ambiguous game that virtuously links the characters’ discussions of art with their … In Capriccio, he delves deeper in this topic, using an exceptional libretto, fruit of a suggestion from his dear Stefan Zweig, who found a brief comedy in the British Library which served as inspiration for that which would be the last opera of the German composer; a comedy, which incidentally had already served as inspiration for Antonio Salieri. Performances on Aug. 5, 11, and 19 begin at 8 p.m. 28 October 1942, Munich (Nationaltheater) Cast. In a witty touch, the next scene consists of the servants commenting, as they clean up the room after the guests have all left, on how absurd it would be to portray servants in an opera. Capriccio Opera. The guests laugh and mock his extravagant ideas, but La Roche, in a monologue of the merits, attacks what he sees as the weakness of these contemporary youngsters, whose creations fail to reach the heart; he defends his faith in the theatre of the past and his own work as a mature director and a preserver of the great traditions of the arts. "Capriccio" opens at Santa Fe Opera at 8:30 p.m. on Saturday, July 23, and continues with a performance at 8:30 p.m. on Wednesday, July 27. Flamand sings them his new composition, accompanying himself on the harpsichord. The question of the value relationship between sound and word in opera is as old as the genre itself – and at the heart of Richard Strauss’ conversation piece Capriccio. Clemens Krauss and Strauss wrote the German libretto. The Countess manages to reconcile the three, urging them to make peace, pointing out how their arts are interdependent; she commissions the pair to collaborate on an opera. Capriccio, Op. opera debut Conductor Stephen Barlow † Stage … Machen Sie kein Aufhebens davon. Of those CD issues, several are no longer available and only three are studio recordings; two are radio broadcasts and the remainder are live or live composite stage performances. The theme of the opera can be summarized as "Which is the greater art, poetry or music?". Machen Sie kein Aufhebens davon. It is basically a conversation piece opera focusing on the relationship between music and words in opera, performed here at just over two hours with no interval, but what gorgeous music that is so … The Major-Domo listens patiently and then arranges for food and his transport home. With a unique combination of distinguished performing artists, programming which includes the traditional and the innovative, as well as the most current digital technology, the Capriccio line has earned a reputation on the cutting edge of the classical music recording industry. A chateau near Paris, the 1920s. Wie sagte er heute? Stars Renée Flemming (Countess), Bo Skovhus (Count, Brother of Countess), Michael Shade (Flamand, a Musician), Markus Eiche (Olivier, a Poet), Angelika Kirchschlager (Clairon, an Actress), Kurt Rydl (La Roche, a Theater Director), Michael … Joseph Kaiser and Sarah Connolly also star. The narrative, which unfolds in a salon on the outskirts of the City of Lights, follows The Countess as she weighs the value of words (represented by her suitor Oliver, the poet) against the … This lighthearted opera within an opera attempts to answer the age old question, “What is more important – music or poetry?” The Countess Madeleine is forced to determine this answer as she chooses between two suitors: Flamand, a composer, and Olivier, a poet. To include a comma in your tag, surround the tag with double quotes. Directed by Gary Halvorson. Opera Richard Strauss Book Subscribe Option booking This production is no longer available for subscription. Strauss's final opera, Capriccio (1942), had a libretto by Clemens Krauss, although the genesis for it came from Stefan Zweig and Joseph Gregor. The Metropolitan Opera: Capriccio Synopsis. Olivier feels that Flamand has ruined his poem, while the Countess marvels at the magic synthesis of words and music. … Strauss then took on the libretto, but finally recruited Krauss as his collaborator on the opera. Clemens Krauss and Strauss wrote the German libretto.However, the genesis of the libretto came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later. Flamand declares his love for the Countess and poses the question – which does she prefer, poetry or music? Buy Tickets. However, I do consider it one of his more interesting operas. The Major-Domo reminds her that both Olivier and Flamand will meet her in the library in the morning to learn the ending of the opera. However, the genesis of the libretto came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later. Capriccio received its American professional premiere at The Santa Fe Opera in 1958 after the Juilliard School staged it in 1954 with Gloria Davy and Thomas Stewart as the aristocratic siblings. Clemens Krauss and Strauss wrote the German libretto. In Munich in 1942, Richard Strauss composed “Capriccio,” a “musical conversation.” The libretto is closely inspired by “First Music and Then Words” composed by Salieri. There are jokes about divas, prompters, impresarios and bored-stiff opera audiences. Refreshments are served as dancers and two Italian singers entertain the guests. In few words: "The stage reveals the secret of reality." … Still undecided as to both the ending of the opera and her choice of lover she asks, "Is there any ending that isn't trivial?". Capriccio I don't consider Strauss' best opera in the way I do Der Rosenkavalier, and I do prefer marginally Elektra, Salome and Ariadne Auf Naxos as well. Category. In … He challenges Flamand and Olivier to create new masterworks that will reveal real people in all their complexity. 1. They deride their employers for 'playing' at the theatre and discuss who the Countess might be in love with. Subtitled »A Conversation Piece with Music«, Richard Strauss’s »Capriccio«, which premiered in Munich in 1942, was the climax of the composer’s stage work, a farewell to opera and a confirmation of his (ambivalent) insistence on the autonomy of art at a time of total war. Now she performs the entire work, in which the composer explores the essence of opera itself. The broadcast of Strauss’s opera Capriccio will be presented live for only one day on Saturday, April 23, 2011 at 1 PM ET / 10 AM PT in select movie theaters. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music".The opera received its premiere performance at the Nationaltheater München on 28 October 1942. August Schreitmüller's sculpture 'Goodness' surveys Dresden after a firestorm started by Allied bombers in 1945. Flamand then sets the sonnet to music, while Olivier declares his love for the Countess. In turn, she tells her brother that his love of words is in keeping with his attraction to the actress Clairon. … The Countess commissions them to collaborate on an opera, and the Count suggests the theme should be the events of that afternoon. On Opening Night of the 2008–09 season, Renée Fleming dazzled audiences when she sang the final scene of Strauss’s wise and worldly meditation on art and life. Synopsis. Olivier tells the Countess that he means the sonnet for her. Capriccio is Strauss’s answer to the question which has pursued opera as an art form since its very beginning: Which is of more importance?Music … The discussion is lively, even aggressive on the part of the men. She asks him to meet her in the library the next morning at 11, when she will give him her decision. Subtitled »A Conversation Piece with Music«, Richard Strauss’s »Capriccio«, which premiered in Munich in 1942, was the climax of the composer’s stage work, a farewell to opera and a confirmation of his (ambivalent) insistence on the autonomy of art at a time of total war. The Major-Domo announces that "Dinner is served" and the Countess slowly leaves the room. Directed by Gary Halvorson. At one point, after seemingly endless arguments about words, music and the theatre, Strauss’s heroine, the Countess Madeleine, instructs the participants to collaborate in an opera; and what will the opera be about? Many music lovers are completely mystified by this opera, finding it incongruous … Cast Size. The opera is a light-hearted treatment of a serious subject: the relative importance of music, poetry, dance and theatre, cleverly set as an opera within an opera. She orders chocolate in the drawing-room. Olivier is asked to make cuts to his play and leaves for La Roche's rehearsal. 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