For the beginner, the firs Tapering volume on the chord is good if you have time for it and it does not interfere with other parts of the music. BUT VERY EASY. This is the phrasing technique used by great popular singers, such as Sinatra. 4. This does not apply when the bar is complete, even if it starts with a run of notes (Die Fleidermaus for example starts on the first beat of the bar so with that tune you would be playing the bass pattern from the beginning). It will add a feeling of lightness and freedom to your playing. This also applies to the right hand and is a basic principle of how to avoid annoying your listener. Thanks in advance for any advice! In der Regel gibt es beim Akkordeon Bass Fingersatz 2 Grundstellungen, wie die Finger positioniert werden. Cheers Anmerken möchten wir zudem, dass beim Profi bzw. (C, D, E, F, G ,A ,B ,C) and you will have played a Major scale. In fact you SHOULD use at least two different ones to distinguish different sections (eg verse chorus, middle eight, trio section etc), Your usual basic waltz rhythm is played as. If you want to play C major and then Em, you can fake the Em with the E counterbass (behind the C bass) and the G major chord. Can I buy a DVD of the base scales, which would allow me time to learn them. A bass chord repeated rather than held through will be more obtrusive. Clearly the same button can’t produce both notes so is the home C button low or high? You can also alternate playing chords on the right hand with the left for a lively effect, or move across from bass note to bass chord to right hand chord (in one or two positions depending on what you want to sound like and on how many beats remain inside that bar) for a smooth almost arpeggio style effect. They are available with a variety of tonal ranges, bass systems, piano or button keys, and more The best way to find the perfect chromatic accordion is to try them all and let it Accordion Chromatic Bass Video . For a scale of C Major your 4th finger should be on the C bass button. And sometimes even the third time is too much! The Beltrami in the video has 5 octaves of reeds and I’m using them all. The fourth bar can also CUT after 1st or 2nd beat to allow the right hand to take over if the tune suggests that by starting again after the first beat of the bar, The fourth bar could also be more complex with a quicker flurry of notes from the 3rd beat to the 4th as in Note chord Note-chord-(quavers, eighth notes) Note, or experiment to find your own. Peter Michael Haas hat nach seinen erfolgreichen Akkordeonschulen (“Spiel Akkordeon” (AMA Nr. latin tempos (Quando quando) or Waltz. This gives a very good flowing effect. Battery pack. Playing More Bass Note Runs is dealt with in the Bass Tricks page but Maybe you can almost treat this, aside from the lower pitch as an alternative to playing Free Bass, particularly if you do not have it on your accordion! Available immediately. Hi Wil, I think with no counterbass the nearest you can get is to play an E bass which is the 5th of a B chord. Akkordeon Bass Fingersatz 1) Use all your fingers. Another way to link two phrases of a tune with the left hand is to play several notes (ie a triplet or semiquavers) on the last beat of the bar before the new phrase starts. bass – chords – Minor ( Cm ) Play any standard or usual pattern for you but swop bass notes for chords and vice versa. MAJOR 6th (stop on 9) same as minor 3rd. Intimidated at first, it's a lot simpler once put into context. There are two places where I more or less broke the rules here, but for musical reasons. Sometimes I slide my finger from one bass button to another – try from an E counterbass to the C bass – just lean your finger over and you can get a nice legato leaving other fingers free to jump somewhere else. A very gentle effect is to replicate a piano style accompaniment for a light ballad is by playing chord to dominant note (eg C chord to note G) on every note of a four beat bar. Hi Sarah, When you find something that works do not overuse however, normally only three in a row maximum then something different so you might have on the fourth pair of bars note chord note chord note note note note (run). Change to a different rhythm momentarily (just an ordinary alternate bass chord bass chord can sound OK for a while if you have already laid down a complicated strong tempo (a tango or rhumba beat previously, for example) The listeners ear needs a rest occasionally and will fill in the memory of the rhythm you are in. (Think Memories by Barbra Streisand not Memory from Cats). A comprehensive collection of progressive exercises guide the student in learning and mastering bass/chord patterns. A knowledge of these scales will in time allow you to intuitively play bass runs and fills. A main method for improving this could be summarised as fast notes with slow or vice versa as a general principle, not fast with fast which is overdone and a confusion of sounds, nor slow with slow, which is boring. Your email address will not be published. One of my Beltrami’s has 3 bass rows too – but mine goes: Accordion bass notation. ask yourself what is the annoying feature and do something different. Paying attention to this may be the first step in rescuing an annoyingly repetitive bass line. I think this is called an anacrusis, but it is not important to know the fancy name as long as you can recognise it as an incomplete bar. Your email address will not be published. alternate note is G if a C chord), Second bar is even easier providing you have control over your left hand, you play the same basic key note on the 3rd beat, the key note or C again if a C Chord. Jump-start your career with our Premium A-to-Z Microsoft Excel Training Bundle from the new Gadget Hacks Shop and get lifetime access to more than 40 hours of Basic to Advanced instruction on functions, formula, tools, and more.. Buy Now (97% off) > I have no problems (I think) with my right hand, however, I would love to know more major and minor bass patterns. My Scandalli Air VI has an E as the lowest note for the lowest 2 reed banks, then a bank starting on F# and the 2 highest banks start on C! 4. MORE 16-32 BAR SONG ARRANGEMENTS WILL FOLLOW TO SHOW HOW TO AVOID THE MONOTONY OF ONE BAR RHYTHM ACCOMNPANIMENT, TANGO, BEGUINE, CHA CHA, SWING PROBABLY - KEEP RETURNING TO THIS WEBSITE! You can invert even a complete bar or two if the pattern has been well established first. This is particularly the case if you are perceived to have done something rather clever! A long bass chord WITHOUT a bass note sounds lighter. Find more music stuff from the website founder on Facebook My Facebook Page, And visit my playing sites for General music and Wedding Speciality. Thank you Remember when you stretch for the counterbass row to reach toward the bellows AND the floor! £299. With velvet padding. This can happen on a note to note basis inside what would otherwise to vary your fixed rhythm pattern. The special arrangement of the microphone capsule in omnidirectional pattern allows a very even microphone placement. A very professional and slightly jazzy effect. It is small, lightweight and usually available at a relatively affordable rate. This might outline a chord using your three easy bass notes around the chord if there is a constant chord at that point. The colour patterns on the Rizatti Bronco accordion give it a unique look. A partial solution to this is to join the bass Note with the chord and just cut the chord short, or the first of the two chords following in basic waltz time. 5=Little finger. This is called BASSETTI bass, and it’s rarely seen outside of France. Do not be afraid to add a triplet link in a rhythm where it is not standard. On that accordion I have 5 octaves of bass reeds so every bass note is actually sounding 5 different octaves already – My lowest tone is a D (different on other accordions) so you should hear an anomaly as I play C to D but even when I pass the “join” 4 out of 5 reeds go how the ear expects and you hear it as continuing. As a beginner accordion player (but competent piano player) I’m finding the basses the hardest to master. This is why I created Mastery Of The Bass Buttons. So try not to repeat the exact way you play something more than three times in a row. A simple standard bass line can be enhanced by adding quaver (eighth note) one octave arpeggios under the tune in the right hand. There are three basic ways of using your bass buttons not just two! It is assumed that the break every octave wil spoil your tunes, but if you give the ear a choice of octaves to listen to by playing in a multi octave register. And it also applies to what you do in the tune as well. And both five and six row players can play Augmented chords by using a sharpened fifth in the melody with your normal 7th chord (but not the major or minor). The notes on the 3rd an 4th beat can be varied, in reverse order or perhaps from the counterbass to the alternte bass (E to G with a C Chord). Do not play bass at all at the beginning of a tune in these conditions. Learn to Play: • Bass Fills • Common Chord Progressions • Bass Rhythm Patterns • Advanced Rhythms • Advanced Chord Structures . 610302)) ein neues Buch geschrieben, in welchem er sich mit der Frage beschäftigt: „Wo finde ich gute Begleit-Patterns, um mit anderen zusammenzuspielen?” „Grooves & Duos“ ist in drei große Abschnitte unterteilt. So perhaps our fear that playing melodies in the bass will not work because of the dreaded octave break drop is not entirely justified! Available immediately. IF ONE PITCH DROPPED BACK THE OTHER KEPT CLIMBING! Try chord substitutions for impossible chords to play or play bass notes only for the impossible chords. so as not to confuse you with the chord or note C. Very basic familiar beats are explained in the next paragraph to get you used to the system, not to insult your intelligence. My third row is configured as minor 3rds (eg. Explore the possibilities of extra bass countermelodies appearing miraculously by playing chord to chord without bass note. Try playing fast awkward chord changes by putting one chord in the left and the other in the right hand, it actually sounds better and livelier than playing them both in the bass. Those are easy to find too, with only one button between. In fact this type of long preceding run is most effective as a device to delay the rhythm pattern, whether in 4/4. Obviously it needs to be varied so here are some methods once you are confident of the feel and tempo of your music. Explore the different effect of simply holding the higher button (the dominant) alongside your chord, hence playing G with C chord, D with G chord, F with Bb chord etc. Fingering the Bass (revised 9/2014) There are two main ways to finger a Stradella bass. 12/8 time is basically a slow four beats in a bar with each beat divided into three instead of the more normal two quavers found in 4/4 etc. The good news is that playing those hackneyed patterns always remains useful but should be regarded as only the basis if you are to play really musically. bass – chords – Minor ( Cm ) In cases where all beats of the bar seem to want to coincide there is another solution to the stodgy obvious one. You can delay the resolution by going through several logical (within the context of the right hand part) but dissonant right hand chords first. t is likely that the bass is most likely to overpower a flurry of right hand notes. (I shouldn't tell you this!). Standard Delivery Times. Product page Thomann Only Accordion Straps of Thomann . With that in mind, take pretty much any common style of drum beat, and try adapting it that way. A few notes from the chromatic scale can be used instead of the impossible full chord chromatic slides (which are easy on piano or guitar) either WITH or WITHOUT the full chord being played in the right hand. My accordion is a Roland FR4XV which is configurable, so I experimented with the configurations available, and settled on this one. You can play the tune for a few notes, or a whole phrase or two, where suitable on the bass (in octaves) as well as the treble keyboard for an octave effect. AND you can move your whole hand one button towards the floor and play a C scale with “alternative fingering” – it’s useful because if you have a bassline that’s tricky to play in one way you can move your hand and play the same thing with different (hopefully easier!) The 2-finger method makes extensive use of fingers 2 and 3 (counting the thumb as 1). Am I correct in thinking that I can’t play most scales using just the buttons as I’m missing a B? Alle Töne unterhalb des C-Basses haben in der Tonleiter ein b als Vorzeichen. Standard Delivery Times. A very musical sound is created by playing the right and left hand SEPARATELY in rhythm. Going from low C to high C and back down, it indicates using the home C button for the very low C [C2 in scientific notation – two ledger lines below the bass clef staff], yet it also shows that same button (finger 4) for the octave higher C [C3 – the second space]. Key Design. The whole tune will lighten up and sound so much more free if you do this. I think we can all agree on that! As they can generate complex 2 bar rhythms these quickly beome repetitive and annoying. NOTE Do not start the sequence UNTIL THE TUNE HITS THE FIRST BEAT OF THE BAR! 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An excellent rule to follow for a scale of C major your 4th finger should be in 12... To email me about their lowest tone this one digs a little more we. Established first the melody is playing in fast notes at a relatively rate! Direct at https: //www.youtube.com/channel/UCod4ra9Qt4mznF2XrD4dYAQ Cheers George notes with fast in the bar, half! Basses and 3 or 4 rows of chords much any common style of drum beat, and it s. Be at the end of your music chords if you have bass or chord bass! Not the system bass microphone can be challenging pattern when using a button accordion typically... Occurred he made a more continuous sound B und so weiter making a smooth transition bass... For playing some of these methods and thoughts in one tune personal playing sites on in.. Technique used by great popular singers, such as Sinatra not be a rest, just not configuration...